Bill Barrett is known primarily for his large-scale outdoor public sculptures. His sculptures of fabricated aluminum, bronze, or steel address the interplay between positive and negative space with grace, elegance and exquisite balance.
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Micajah Bienvenu’s pieces evoke emotion that invite us into spaces that reflect the enormity of the natural world and the human experience in relation to it in the moment.
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Babette Bloch is a pioneer in the use of laser-cut and water jet-cut stainless steel to create figurative works of art. Her sculptures explore form and the interplay between object and light, reflect their environments, and expand the ways in which stainless steel is used in contemporary art.
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Jeffrey Breslow is a nature lover, and his inspiration unusually starts from nature; in this case stones.
Using a crane to create his granite sculptures, Harry Gordon believes that his work is not complete until it is viewed by the public. “It is as if they get their batteries charged with each person that sees them.”
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Richard Heinrich listens to music as he works in his Tribeca studio, and the titles of his work often reflect the strong influences of Charles Mingus, Thelonious Monk and others.
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Ken Hiratsuka is driven by his vision of art’s capacity to transcend the differences of nations and languages and his work can now be seen in permanent public sites in both urban and natural environments in 21 countries.
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Fitzhugh Karol creates abstract sculptures of wood and metal that evoke hills, valleys, steps, and portals—elements of real, imagined, and remembered landscapes. Whether monumental or intimate, each sculpture combines a playful vocabulary of geometric forms to draw and strengthen connections between people and the landscape. His large-scale outdoor sculptures both imitate and interrupt the landscape, and all his work suggests links between natural and man-made forms, inviting viewers to contemplate the ways in which humans impact the world around them.
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Robert Koch’s pieces attempt to challenge the inherent behavior of the materials, as if to capture aspects from nature such as the movements of a leaf in the wind, the swaying of reeds, or even the split second a seed begins to germinate.
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Jon Krawczyk pushes the boundaries of his medium by transforming steel and bronze into a study of the human condition. Lauded for his ability to turn metal into large scale biomorphic sculptures that can strike one as having their own ubiquitous presence.
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Throughout the 1990s, Ms. Lavin worked on a diversity of projects designing everything from posters for music venues, theater sets, and costumes, to commercial interiors and vintage hot rod cars. Winning accolades for innovation and intellectual design approaches.
Together the stone and Ulla tell a story. Stone is star stuff and of the ages. She feels a kinship with stone. This awareness is expressed as she tries to integrate the nature of the stone with her vision of the nature of things.
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For Joel Perlman, sculpting is an adventure and each work is the record and result of an exploration of weight, danger, negative space, and monumentality.
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John Richie’s work explores the relationship between
ancient tribal art forms and contemporary urban life.
James Tyler’s unique colossal heads invite us to identify with the world’s ceramic heritages. They bring today’s faces together with pre-Columbian, South American, Native American, Asian, African, and Western influences.
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Martha Walker’s metal sculptures, made from meticulously dripped molten steel, often express something deep and personal.
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